Diego Antonio Mar¨ªn Bucio

• Mar¨ªn Bucio, Diego Antonio (2023). Dance and Human-AI kinaesthetic co-creativity. MAGOTZI Bolet¨ªn Cient¨ªfico de Artes del IA. ISSN 2007-4921. 11(23), s. 1¨C5. doi: 10.29057/ia.v11i22.10684. Vis sammendrag

  Human-machine interaction in dance is not a new phenomenon, however, the evolution of Artificial Intelligence (AI) in recent years allows new scenarios where novel methods of creative collaboration between human and artificial intelligence are proposed. From an interdisciplinary approach, this article provides an analysis of different software for choreographic creation and synthesises the findings from the creative collaboration between the author and an AI dancer, which were presented at the Leverhulme Centre for the Future of Intelligence at the University of Cambridge (UK). The author concludes that in order to co-create dance with an AI, it is not enough to simply use it, but it must enable an experience in which the human and machine can be exposed to a mutual influence that is not limited to logical reasoning, but is based on kinaesthetic intuition.

• Mar¨ªn Bucio, Diego Antonio (2021). Dance creative processes during the Covid-19 pandemic. File 1: social distance in the studio. Academia Letters. ISSN 2771-9359. 1(1). doi: 10.20935/AL3664. Vis sammendrag

  The article documents and analyzes how the community of dance experienced COVID-19 Pandemic in some different cities and contexts. In this file, the analysis focuses on the physical contact during rehearsals and dance lessons with three different cases around France, as well as reflections about the socio-cultural conditions of the dance community and the future of dance on the screens.

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• Mar¨ªn Bucio, Diego Antonio (2023). Curiosity, culture, career and community. [Tidsskrift]. London, England.
• Mar¨ªn Bucio, Diego Antonio (2022). Dancing Embryo.
• Mar¨ªn Bucio, Diego Antonio (2022). Human-AI dance: hybrid co-creativity in the posthuman era. Vis sammendrag

  The talk challenges previous approaches to creative collaboration between humans and artificial intelligence, questioning whether we are only using AI to enhance our own creativity rather than a collaboration between two creative agents. In addition, the author argued for the development of more body-interactive AI systems, as he alerts us to the potential decline of bodily-kinesthetic intelligence. His point was accompanied by a proposal presented together with Benedikte Wallace, where Diego Mar¨ªn and an interactive AI created and performed dance in real-time.

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