Pensum merket med # vil v?re tilgjengelig i Fronter.
Fagansvarlig Bente Larsen
Kunstens historie
(L?rer: ?ystein Sj?stad)
#Baxandall, Michael : Michael Baxandall, “Patterns of Intention” i: Donald Preziosi (ed.), The Art of Art History. A Critical Anthology, Oxford University Press 2009. New Haven, Conn. : Yale University Press. s 45-53.
#E.H. Gombrich “In Search of Cultural History”, i: Eric Fernie (ed.), : Art History and its Methods. A Critical Anthology, Phaidon, 2009. s. 223-236 .
Holly, Michael Ann : Panofsky and the foundations of art history, 1985. Ithaca, N.Y. : Cornell University Press. 267 s.
Ikonologi
(L?rer: ?ystein Sj?stad)
#Hans Belting “Image, Medium, Body: A New Approach to Iconology,” i: : Critical Inquiry 31. 2, Winter 2005. s. 302-319.
Mitchell, W.J.T.: Iconology. Image, Text, Ideology, 1987. The University of Chicago Press: Chicago. 226 p..
Reception
(L?rer:?ystein Sj?stad)
Georges Didi-Huberman: Confronting Images, The Pennsylvania State University Press, 2005. s.1-51 og 76-130.
Tegn
(L?rer: ?ystein Sj?stad)
Hubert Damisch: A Theory of /Cloud, Stanford University Press, 2002. kap. 1 og 2.
5: Hermeneutik
(L?rer: Bente Larsen)
#Gottfried Boehm , “Bidrag til en billedets hermeneutik” i: J?rgen Dehs (red.): ?stetiske teorier, Odense Universitetsforlag 1995. s, 181-202.
# Nicolas Davey, “The Hermeneutics of Seeing” i Ian Heywood and Barry Sandywell (ed.), Interpreting Visual Culture. Explorations in the Hermeneutics of the Visual, Routhledge 1999, s.3-30
# Hans-Georg Gadamer, ”The Ontology of the Work of Art and its Hermeneutical Significance” i Richard Kearney and David Rasmussen (ed.), Continental Aesthetics, Blackwell 2001, s. 321-338
# John Sallis, “The Hermeneutics of the Artwork”, i Günter Figal, Wahrheit und Methode, Adademie Verlag, 2007, s. 45-57
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6:Performativitet
(L?rer: Bente Larsen)
#Thierry de Duve. “Kant’s “Free-Play” in the lights of Minimal Art.” i: Francis Halsall et all (ed.) : Rediscovering Aesthetics: Transdisciplinary Voices from Art History, Philosophy, and Art Practice, Stanford Univerisity Press, 2009. s. 87-103.
#Karen Lang, “Reason and Remainders: Kantian Performativity in the History of Art.” i: Jones, Amelia and Andrew Stephenson (ed.), : Performing the Body. Performing the Text, Routhledge 2005. s. 10-26.
#Amelia Jones. “Art History/Art Criticism. Performing Meaning” i: Jones, Amelia and Andrew Stephenson (ed.): Performing the Body. Performing the Text. Routhledge , 2005. s. 36-52.
Feminisme
(l?rer: Bente Larsen)
#Griselda Pollock, “Feminism/Foucault-Surveillance/Sexuality”, i: Visual Culture. Images and Interpretations, Weslyan University Press, 1994. s. 1-41.
#Owens, Graig, “The Discourse of Others: Feminists and Postmodernism” i: Donald Preziosi (ed): The Art of Art History, Oxford: Oxford University Press, 2009. ss, 335-352.