V?r 2020: Ansikter, portretter, medier
(Ca. 540 sider)
NB! Boken Det lyse rommet av Roland Barthes kan kj?pes p? Akademika. Alle ?vrige tekster vil legges ut i Canvas. Disse skal leses p? forh?nd og medbringes p? seminaret.
Agamben, Giorgio. ?Ansiktet?. Midler uten m?l: Notater om politikk. Overs. Kristin Gjerpe. Oslo: Cappelen Akademisk, 2008. S. 88-96.
Agamben, Giorgio. ?Judgment Day?. Profanations. Overs. Jeff Fort. New York: Zone Books, 2015. S. 23-27.
Baláz, Béla. “Visible Man” og “The Play of Facial Expressions”. Béla Baláz, Early Film Theory: Visible Man and the Spirit of Film. Overs. Rodney Livingstone. New York: Berghahn Books, 2010. S. 9-15; 33-37.
Barthes, Roland. Det lyse rommet: Tanker om fotografiet. Overs. Knut Stene-Johansen. Oslo: Pax, 2001. Ca 165 s
Barthes, Roland. ?Garbos ansikt?. Mytologier. Overs. Einar Eggen. Oslo: Gyldendal, 1999. S. 61-62.
Barthes, Roland. ?Proust and Photography?. The Preparation of the Novel: Lectures Courses and Seminars at the Collège de France (1978-1979 and 1979-1980). Overs. Kate Briggs. New York: Columbia University Press, 2011. S. 305-315.
Belting, Hans. “Introduction: Defining the Subject” og “Facial Expression: Masks of the Self, and the Roles of the Face” Face / Mask: A Double Portrait. Overs. Thomas S. Hansen og Abby J. Hansen. New Haven: Princeton University Press, 2017. S. 1-31
Benjamin, Walter. ?Liten fotografihistorie?. Kunsten i reproduksjonsalderen. Overs. Torodd Karsten. Oslo: Gyldendal, 1991. S. 65-79.
Brücke, Wolfgang. “Face-Off in Weimar Culture: The Physiognomic Paradigm, Competing Portrait Anthologies, and August Sander’s Face of Our Time”. Tate Papers nr. 19, 2013. 15 s. Tilgjengelig online:
Crary, Jonathan. “Unbinding Vision”. Suspensions of Perception: Attention, Spectacle, and Modern Culture. Cambridge, Mass.: MIT Press, 2001. S. 81-148.
Deleuze, Gilles og Félix Guattari. “Year Zero: Faciality”. A Thousand Plateaus: Capitalism and Schizofrenia. Overs. Brian Massumi. Minneapolis: University of Minnesota Press, 1987. S. 167-191.
Freeland, Cynthia. “Portraits in Painting and Photography”. Philosophical Studies: An International Journal for Philosophy in the Analytical Tradition, nr 1, 2007. S. 95-109.
Tilgjengelig online: https://www.jstor.org/stable/40208798?seq=1#metadata_info_tab_contents
Freeland, Cynthia. “Portraits and Persons”. The Montréal Review, November 2011. 2 s.
Tilgjengelig online: http://www.themontrealreview.com/2009/Portraits-and-persons-by-Cynthia-Freeland.php
Gr?tta, Marit. “Fotografi og f?lelser: Proust, portrettfotografier og lengselen etter ? n? utover seg selv”. Agora: Tidsskrift for metafysisk spekulasjon, nr. 1, 2016. S. 118-147.
Gunning, Tom. “In Your Face: Physiognomy, Photography, and the Gnostic Mission of Early Film”. Modernism/Modernity, nr. 1, 1997. S. 1-29.
Tilgjengelig online: https://muse.jhu.edu/issue/1347/print
Hegel, G.W.F. Aesthetics: Lectures on Fine Art. Overs. T. M. Knox. Vol. 2. Oxford: Clarendon Press, 1975. S. 865-69.
Pearl, Sharrona. “Introduction: Face Facts”. About Faces: Physiognomy in Nineteenth-Century Britain. Cambridge, Ma: Harvard University Press, 2010. S. 1-25.
Nancy, Jean-Luc. “The Look of the Portrait”. Portrait. Overs. Sarah Clift and Simon Sparks. New York: Fordham University Press, 2018. S. 13-41.
Rancière, Jacques. ?Det tenkende bildet?. Den emansiperte tilskuer. Overs. Geir Uvsl?kk. Oslo: Pax, 2012. S. 164-201.
Silverman, Kaja. “The Second Coming”.The Analogy of Photography: The History of Photography, Part 1. Stanford: Stanford Unversity Press, 2015. S. 13-38