Tema: Hiphop, samplingkultur og globalisering
B?ker:
Forman, Murray & Mark Anthony Neal (eds) 2004: That's the Joint! The Hip-Hop Studies Reader. New York/London: Routledge.
Krims, Adam 2001: Rap music and the poetics of identity. Cambridge: Cambridge University Press.
Schloss, Joseph G. 2004: Making Beats. The art of sample-based hip-hop. Middletown: Wesleyan University Press.
Artikler:
Danielsen, Anne 2007: "Iscenesatt marginalitet? – om regional identitet i nordnorsk rap". Publiseres i antologi om nordisk hiphop-forskning p? ?rhus Universitetsforlag.
Dyndahl, Petter 2007: "Norsk hiphop i verden. Om konstruksjon av glokal identitet i hiphop og rap". Publiseres i antologi om nordisk hiphop-forskning p? ?rhus Universitetsforlag.
Dyndahl, Petter 2005: "Kulturens Xerox-grad eller remixet autentisitet. Gjenbruk og originalitet i hiphop og samplingkultur ", i Petter Dyndahl & Lars Anders Kulbrandstad (eds): High fidelity eller rein jalla? Purisme som problem i kultur, spr?k og estetikk. Vallset: Oplandske Bokforlag.
Dyndahl, Petter 2003: 'Truly yours, your biggest fan, this is Stan' – Dramaturgi, remediering og iscenesettelse hos Eminem. H?gskolen i Hedmark: Notat nr. 1.
Lacasse, Serge 2000: "Intertextuality and Hypertextuality in Recorded Popular Music", i Michael Talbot (ed.): The Musical Work. Reality or Invention? Liverpool: Liverpool University Press.
Solomon, Thomas 2005: "'Listening to Istanbul': Imagining Place in Turkish Rap Music", i Studia Musicologica Norvegica nr. 31.
Supplerende litteratur:
Collins, Patricia Hill 2006: From Black Power to Hip Hop: Racism, Nationalism, and Feminism. Philadelphia: Temple University Press.
Dimitriadis, Greg 2001: Performing Identity/Performing Culture: Hip Hop as Text, Pedagogy, and Lived Practice. New York: P. Lang.
Forman, Murray 2002: The 'Hood Comes First: Race, Space, and Place in Rap and Hip Hop. Middletown, Conn.: Wesleyan University Press.
George, Nelson 1998: Hip Hop America. New York: Viking.
Gilroy, Paul 1993: The Black Atlantic: Modernity and Double Consciousness. London: Verso.
Keyes, Cheryl L. 2002: Rap Music and Street Consciousness. Urbana/Chicago: University of Illinois Press.
Lull, James 1995: Media, Communication, Culture. A global approach. Cambridge: Polity Press.
Mitchell, Tony (ed.) 2001: Global Noise: Rap and Hip Hop Outside the USA. Middletown, Conn.: Wesleyan University Press.
Perkins, William Eric (ed.) 1996: Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture. Philadelphia: Temple University Press.
Potter, Russell A. 1995: Spectacular Vernaculars: Hip Hop and the Politics of Postmodernism. Albany: State University of New York Press.
Radano, Ronald 2003: Lying up a Nation. Race and Black Music. Chicago: The University of Chicago Press.
Rose, Tricia 1994: Black Noise: Rap Music and Black Culture in Contemporary America. Hanover, NH: Wesleyan University Press.
Sernhede, Ove 2002: Alienation is my nation. Hiphop och unga m?ns utanf?rskap i det nya Sverige. Stockholm: Ordfront.
Toop, David 2000: Rap Attack 3: African Rap to Global Hip Hop. London: Serpent’s Tail.