Sound Tracing

"Sound tracing" entails rendering the perceptual qualities of short sound objects through bodily motion.

The underlying assumption and motivation of sound tracing experiments is that they may reveal salient sound-motion links in perception.

Experiment in 2006

A preliminary study on sound tracing was carried out in 2006, where participants' responses were collected on a digital tablet. 

Experiment in 2009

To follow up on the previous experiment, two experiments were carried out in 2009 and 2010, where response data was gathered using optical, infrared marker-based motion capture. Fifteen people participated in the experiment. A rod was equipped with reflective markers, and motion capture data of the rod was collected as response data. 

Setup
The setup for the experiments in 2009.

The sound stimuli used in the experiment have been made available for download.

Sound Pitch Spectral Centroid Loudness Duration (s) Onsets
1 Noise 3 sweeps 3 sweeps 3 3
2 Noise 3 sweeps 3 sweeps 3 3
3 Falling Rising Steady 2 1
4 Rising Falling Steady 2 1
5 Noise Rising Steady 1 1
6 Noise Rising / Complex Steady 1 1
7 Noise Rising, then falling Steady 4 1
8 Rising Complex Steady 2 1
9 Noise Steady Static (on/off) 2 5
10 Noise Complex Impulsive attacks 2 5

Publications:

  • Nymoen, Kristian; Caramiaux, Baptiste; Kozak, Mariusz & T?rresen, Jim (2011). Analysing sound tracings: a multimodal approach to music information retrieval, In Cynthia Liem; Meinhard Müller; Douglas Eck & George Tzanetakis (ed.), Proceedings of the 1st international ACM workshop on Music information retrieval with user-centered and multimodal strategies. Association for Computing Machinery (ACM). ISBN 978-1-4503-0986-8.  pp 39 - 44
  • Nymoen, Kristian; Jensenius, Alexander Refsum; T?rresen, Jim; Glette, Kyrre Harald & Skogstad, St?le Andreas van Dorp (2010). Searching for Cross-Individual Relationships between Sound and Movement Features using an SVM Classi?er , In Kirsty Beilharz; Andrew Johnston; Sam Ferguson & Amy Yi-Chun Chen (ed.), NIME 2010 proceedings: New Interfaces for Musical Expression++, 15-18th June 2010, University of Technology Sydney. Association for Computing Machinery (ACM). ISBN 978-0-646-53482-4.  pp 259 - 262

Experiment in 2010

In a new experiment in 2010, an experiment with more participants and more organised sound stimuli was carried out. 38 people participated and traced the sounds using two handles equipped with reflective markers.

Handheld markers
One of the handles used in the 2010 experiment.

Again, more detailed information on the experiment can be found in the publication listed below, and the sound files that were used as stimuli are available for download.

Sound Pitch Spectral Centroid Loudness Duration (s) Onsets
1 Rising Falling Bell-shape 3 1
2 Falling Rising Bell-shape 3 1
3 Falling Falling Bell-shape 3 1
4 Rising Rising Bell-shape 3 1
5 Rising Steady Increasing 3 1
6 Falling Steady Increasing 3 1
7 Steady Falling Bell-shape 3 1
8 Steady Rising Bell-shape 3 1
9 Steady Steady Increasing 3 1
10 Noise Falling Bell-shape 3 1
11 Noise Rising Increasing 3 1
12 Noise Steady Increasing 3 1
13 Steady Rising slightly Increasing 3 1
14 Steady Falling slightly Increasing 3 1
15 Rising Falling Impulsive 3 1
16 Steady Steady Impulsive 3 1
17 Noise Steady Impulsive 3 1
18 Noise Falling Impulsive 3 1
graph
Examples from the 2010 experiment.

Publications:

  • Nymoen, K., Torresen, J., God?y, R. I., and Jensenius, A. R. 2012. A statistical approach to analyzing sound tracings. In S. Ystad et al., Ed. Speech, Sound and Music Processing: Embracing Research in India. LNCS 7172. Berlin Heidelberg: Springer, pp. 120-145 
By Kristian Nymoen
Published July 28, 2022 11:40 PM - Last modified July 28, 2022 11:47 PM