Pensum/l?ringskrav

Lothe, Jakob: Fiksjon og film: Narrativ teori og analyse, Oslo: Universitetsforlaget 2003.

Lothe, Jakob: Narrative in Fiction and Film: An Introduction, Oxford: Oxford University Press 2000.

Studentene velger selv om de vil kj?pe boka p? norsk eller engelsk:

Primary texts (film)

Andersson, Roy: Songs from the Second Floor (S?nger fr?n andra v?ningen) (2000)

Fares, Josef: Jalla! Jalla! (2000)

Jensen, Knut Erik: Cool and Crazy (Heftig og begeistret) (2001)

Johnsen, Sara: Upperdog (2009)

Kaurism?ki, Aki: The Man without a Past (Mies vailla menneisyytt?) (2002)

Lien, Jens: The Bothersome Man (Den brysomme mannen) (2006)

Poppe, Erik: Troubled Water (DeUsynlige) (2008)

Robsahm, Thomas et al.: Utopia – Nobody is Perfect in the Perfect Country (Folk flest bor i Kina) (2002)

Skjoldbj?rg, Erik: Insomnia (1997)

Vinterberg, Thomas: The Celebration (Festen) (1998)

Articles (articles marked with an asterisk are in the course reader):

Hjort, Mette. ”From Epiphanic Culture to Circulation: The Dynamics of Globalization in Nordic Cinema”. In: Andrew Nestingen and Trevor G. Elkington (eds.): Transnational Cinema in a Global North, Nordic Cinema in Transition. Detroit: Wayne State University Press: 2005: 191-218.*

Iversen, Gunnar. “The Old Wave: Material History in Cool and Crazy and the New Norwegian Documentary”. In: Claire Thomson (ed.): Northern Constellations. New Readings in Nordic Cinema. Norwich: Norvik Press 2006: 175-88.*?

Lindqvist, Ursula. Article on Songs from the Second Floor. Forthcoming.

Nestingen, Andrew. “The Home and the Container”. In: Crime and Fantasy in Scandinavia. Fiction, Film, and Social change. Seattle: University of Washington Press 2008: 140-53.*

Oxfeldt, Elisabeth. Article on DeUsynlige. Forthcoming.

Rees, Ellen. Article on Norwave (incl. Insomnia). Forthcoming

. “Personal Ideology and Collective Cinema: Folk flest bor i Kina and Contemporary Norwegian Political Consciousness”. In: Claire Thomson (ed.): Northern Constellations. New Readings in Nordic Cinema. Norwich: Norvik Press 2006: 97-110.*

Schepelern, Peter. “Film according to Dogma: Ground Rules, Obstacles, and Liberations”. In: Andrew Nestingen and Trevor G. Elkington (eds.): Transnational Cinema in a Global North, Nordic Cinema in Transition. Detroit: Wayne State University Press: 2005: 73-107.*?

Soila, Tytti, Astrid S?derbergh Widding and Gunnar Iversen. “ Film Production as a National Project”. Introduction to: Nordic National Cinemas. London: Routledge 1998: 1-6.*

Wright, Rochelle. “’Immigrant Film’ in Sweden at the Millennium”. In: Andrew Nestingen and Trevor G. Elkington (eds.): Transnational Cinema in a Global North, Nordic Cinema in Transition. Detroit: Wayne State University Press: 2005: 55-72.*

Published Oct. 27, 2009 3:06 PM - Last modified Nov. 24, 2009 10:34 AM