Pensum - generell del (ca. 400s velges blant f?lgende titler):
Danielsen, Anne: Presence and Pleasure. The Funk Grooves of James Brown and Parliament, 2006. Middletown, Connecticut: Wesleyan University Press.
Danielsen, Anne (ed.) Musical Rhythm in the Age of Digital Reproduction. 2010. Farnham, Surrey: Ashgate. (in press)
Frith, Simon: Performing Rites. On the Value of Popular Music, 1996. Oxford: Oxford University Press
Greene, P. D. og T. Porcello (red.): Wired for Sound. Engineering and Technologies in Sonic Cultures, 2005. Middletown, Connecticut: Wesleyan University Press
Hawkins, Stan: Settling the Pop Score. Pop texts and identity politics, 2002. Aldershot: Ashgate Publishing.
Hesmondhlagh, D. and K. Negus (eds.). Popular Music Studies. 2002. London: Arnold
Lindberg, Ulf et al. Rock Criticism from the Beginning. Amusers, Bruisers, and Cool-Headed Cruisers. 2005. New York: Peter Lang
Middleton, Richard: Studying Popular Music, 1990. Open University Press.
Moore, Allan: Rock: The Primary Text - Developing a Musicology of Rock, 2001. Aldershot: Ashgate.
Moore, Allan (ed.): Analyzing Popular Music, 2003. Cambridge: Cambridge University Press.
Moore, Allan (ed.): Critical Essays in Popular Musicology, 2007. Aldershot: Ashgate.
Negus, Keith: Music Genres and Corporate Cultures, 1999. Routledge.
Walser, Robert. Running with the Devil. Power, Gender, and Madness in Heavy Metal Music 1995. Middletown, Connecticut: Wesleyan University Press.
Med forbehold om endringer.
Pensum - fordypningsdel (ca. 400 s):
Auslander, Philip: ‘I wanna Be Your Man’: Suzi Quatro’s Musical Androgyny’, Popular Music 23/1, 2004, pp. 1-16.
Bannister, Matthew: ‘Reviewing theories and representations of masculinities’ (Chap. 1), and ‘Powerless power: masculine intellectualism and aesthetics’ (Chap. 2) in White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock, (Chap. 2), 1-56.
Hawkins, Stan: ‘With a Twist of the Straight: Dandyism and Gender Revolt’ (Chap. 4), and ‘Singing the Body Fantastic: Corporeality and the Voice’ (Chap. 5, The British Pop Dandy, 2009), pp. 37- 63, and 121-151..
Hawkins, Stan and Richardson, John: ‘Remodeling Britney Spears: Matters of Intoxication and Mediation’, Popular Music and Society, 30/5, 2007, pp.605-629.
Hawkins, Stan: ‘I’ll Never Be an Angel’: Stories of Deception in Madonna’s Music’ in Settling the Pop Score: pop texts and identity politics, 2002, pp. 36-65.
Jarman-Ivens, Freya (ed): ‘Introduction: Oh Boy! Making Masculinity in Popular Music’ (with Ian Biddle), Oh Boy!, 2007, pp. 1-17.
McClary, Susan: Feminine Endings: Music, Gender, and Sexuality, 1991, 166 p.
Stephens, Vincent: ‘Pop Goes the Rapper: A Close Reading of Eminem’s Genderphobia’, Popular Music 24/1, 2005, pp. 21-36.
Whiteley, Sheila: ‘Introduction’ in Women and Popular Music, 2000, pp. 1-21.