All articles will be available in a compendia handed out first day of classes.
- Berman, Patricia G. “Body and Body Politic in Edvard Munch’s ‘Bathing Men,’ “ in: Marcia Pointon and Kathleen Adler, eds., The Body Imaged: The Human Form and Visual Culture Since the Renaissance (Cambridge: Cambridge University Press, 1993), 71-83 and 195.
- Berman, Patricia G. “Norwegian Craft Theory and National Revival in the 1890s,” in: Nicola Gordon Bowe, ed., Art and the National Dream (Dublin: Irish Academic Press, 1993), 155-168.
- Berman, Patricia G. “(Re-) Reading Edvard Munch: Trends in Current Literature,” in: Scandinavian Studies 66:1(Winter 1994), 45-67.
- Blindheim, Martin. “Scandinavian Art and Its Relations to European Art around 1200,” in: The Year 1200: A Symposium, exh. cat., (New York: The Metropolitan Museum of Art, 1975), 429-467.
- Elviken, Andreas. “The Genesis of Norwegian Nationalism,” Journal of Modern History 3:3 (September 1931), 365-391.
- Ekroth, Power . “Pissing on the Nordic Miracle” in Eva Vanzella, Emanuela Di Lallo (eds.), Lights On - Norwegian Contemporary Art, 2008, Exhibition catalogue published by Astrup Fearnley Museum of Modern Art, 91 -96.
- Gelfer-J?rgensen, Mirjam. “Scandinavianism – a Cultural Brand” in Ed. Halén, Widar and Kerstin Wickman. Scandinavian Design Beyond the Myth. Fifty years of design form the Nordic countries. Stockholm: Arvinius F?rlag \ Form F?rlag, 2003. 17-25.
- Glambek, Ingeborg. "One of the Age's Noblest Cultural Movements: On the Theoretical Basis for the Arts and Crafts Movement," Scandinavian Journal of Design History. 1, 1991. 47-76.
- Gunnarson, Ingebj?rg. "Tendenser i norsk etterkrigsgrafik" in: Adun Eckhoff (ed.), Fokus 1950 - (Engl.trans.) Oslo: Sprartacus Forlag AS, 1998. 99-104.
- Gunnarsson, Torsten. “The Northern Wilderness” Nordic Landscape Painting in the Nineteenth Century, New Haven: Yale University Press, 1998. 79-114.
- Gunnarsson, Torsten. “Introduction”, A Mirror of Nature – Nordic Landscape Painting 1840-1910), K?benhavn : Statens Museum for Kunst, 2006. 10-37.
- Grodecki, Louis. “Introduction,” in: Norway: Paintings from the Stave Churches. NY: UNESCO Publishing, 1955), 17-25.
- Hellandsj?, Karin. "Modernismen i Europa og Norge 1945-55. Gjensyn og tilbakeblikk" in: Adun Eckhoff (ed.), Fokus 1950 -(Engl.trans.), 111 – 114.
- Messel, Nils. ”Edvard Munch and his Critics in the 1880s,” in: Kunst og Kultur 77:4 (1994). 213-227.
- Messel, Nils. “Discovering the Mountains” in Oppdagelsen av Fjellet, Oslo: Nasjonalmuseet for Kunst, Arkitektur og Design, 2008. 101-147.
- Hegard, Tonte. “Collecting, Researching, and Presenting Folk Art in Norway, in Nelson, Marion Ed. Norwegian Folk Art - The Migration of a Tradition. Abbevile, 1995. 238-247.
- Kent, Neil. “Introduction”, The Soul of the North: A Social, Architectural and Cultural History of the Nordic Countries, 1700-1940. London: Reaktion Books. 2000. 8–15.
- Stavenow-Hidemark, Elisabet. “Viking Revival and Art Nouveau. Traditions of Excellence”, I (Red) McFadden, David Revere, Scandinavian Modern Design, 1880-1980. Abrams, 1982. 47-86.
- Storm-Bjerke, ?yvind. "Scream as part of the Art Historical canon", in Scream, 2008. 13-55.
- Ustvedt, ?ystein, "The Story of a Masterpiece", in: ?.Ustvedt and T.E.Aslaksby eds., Edvard Munch. The Sick Child, 2007. 105-151.
- Werenskiold, Marit. “Concepts of Expressionism in Scandinavia”, in: Expressionism Reassessed Shulamith Behr, et.al. eds., Manchester: Manchester Univeristy Press, 1993. 20-29.
- Werenskiold, Marit. "Erik Werenskiold in Munich 1875-1881,” Konsthistorisk Tidsskrift 68 :2 (1999). 81-98.
- Wichstr?m, Anne: "Gendered Representation: Asta N?rregaard's Upper-Class Portraiture 1890-1905," Konsthistorisk Tidskrift 69:1 (2000).
- Woll, Gerd. Introduction, in: Edvard Munch: Prints from 1896, London 2001. Pg. 19-28.